David Gilhooly, Collage, Assemblage Cardstock Painting David Gilhooly California Funk Surrealism, 2013

DAVID JAMES GILHOOLY (American, 1943-2013),
Mixed media collage
6 x 4 inches,
Hand signed and dated verso
titled: “a marriage made in heaven, potatoes and gravy”
A handshake, a silver gravy boat and potatoes floating.
cut and pasted cardstock assemblage, collaged art.

David Gilhooly RCA (1943 – 2013), was an American ceramicist, sculptor, painter, printmaker, and professor. He is best known for pioneering the Funk surrealism art movement. He made a series of ceramic frogs called FrogWorld, as well as ceramic food, planets, and other creatures.
David James Gilhooly III was born on April 15, 1943, in Auburn, California. He was raised in Los Altos, California; Saint Croix in the Virgin Islands; and Humacao, Puerto Rico.
He enrolled in University of California, Davis (UC Davis) initially studying biology, followed by anthropology, and ending with a focus on fine art. While attending UC Davis, Gilhooly served as artist Robert Arneson assistant starting in 1963. He graduated from UC Davis with a BA degree in 1965, and an MA degree in 1967.
Gilhooly, together with Robert Arneson, Peter Vandenberge, Chris Unterseher, and Margaret Dodd, working together in TB-9 (temporary building 9) were what was later to be called, The Funk Ceramic Movement of the San Francisco Bay Area. Inspired by Abstract Expressionism and the sculptures of Claes Oldenburg, Gilhooly produced sculptures with comical, surrealist, subject matter including food, animals, plants, and a series centered on frogs. David left TB-9 for one semester to become Manuel Neri’s assistant and started making art out of lumber, fur, neon lights and asbestos shingles.
He has worked in many media including furniture, painting, drawing and bronze, porcelain, ceramic and clay sculpture.
From 1967 to 1969, Gilhooly taught at San Jose State University (SJSU). In 1969, Gilhooly met ceramicist Victor Cicansky at UC Davis and, at his suggestion, he took a teaching position at the University of Saskatchewan in Canada (1969 to 1971). He followed this with seven years at York University, in Toronto, Canada.

He was a member of the Royal Canadian Academy of Arts.

Work
Gilhooly created clay objects that are satirical takes on contemporary life. Works such as his Victoria. Bathing with the Beavers (Art Gallery of Nova Scotia), might contain imperfections to mimic hobby work.

Collections
Public art collections holding works by David Gilhooly including the Art Gallery of Nova Scotia; Arizona State University Art Collections (Tempe, Arizona); the Fine Arts Museums of San Francisco; the Art Institute of Chicago; the Honolulu Museum of Art; the Jane Voorhees Zimmerli Art Museum at Rutgers University; the Little Rock Art Center (Little Rock, Arkansas); the Louisiana State University (Baton Rouge, Louisiana); the National Gallery of Canada; the Norton Museum of Art; the Oakland Museum of California; the Palm Springs Desert Museum; the Philadelphia Museum of Art; the San Antonio Museum of Art; the San Francisco Museum of Modern Art; the San Jose Museum of Art; the Anderson Collection at Stanford University; the Stedelijk Museum; the University of California, Santa Barbara (UCSB); the Vancouver Art Gallery; the Whitney Museum of American Art; and the Renwick gallery at the Smithsonian American Art Museum.

Public art
Gilhooly has a public fountain made of ceramic frogs, titled Merfrog Family (1978) which was created for the Stanford Shopping Center in Stanford, California. His ceramic sculpture work Performing Frogs (1982) is located at Hult Center for the Performing Arts in Eugene, Oregon.

Publications
Nut Pot Bag or Clay Without Tears (artist book). Authored by Jim Adamson, Robert Arneson, Clayton Bailey, Fred Bauer, Maija Peeples-Bright, Victor Cicansky, David Gilhooly, Jim Melchert, Nicholas Stephens, Chris Unterseher, Peter Vandenberge, David Zack, Lowell Darling. University of California, Davis. 1971.