Jason Laure, Original Hand Signed Rock & Roll Photograph Sly & the Family Stone Woodstock, 1969

Original signed in gold ink Rock And Roll Photo from the Woodstock music festival. A custom print by Ken Lieberman laboratories in New York hand signed by the photographer. Mounted to board.
Jason LAURÉ
Born: Chehalis, Washington, USA, 1949. Resides in Cape Town. Studied at Columbia University, New York City and Sorbonne, Paris. Awards: Pulitzer Prize finalist; National Book Award, USA. Residency: Nieman Fellowship, Harvard University, USA finalist. Author: photographer of 32 books. Collection: UNICEF Africa Museum of New York; UCLA; Woodstock Museum, New York.

Woodstock 1969: The Lasting Impact of the Counterculture by Jason Laure
As the fiftieth anniversary of the Woodstock festival nears, Woodstock 1969 stands out for its singular voice. Photojournalist Jason Lauré followed his unerring instinct for being in the right place at the crucial moment. He and coauthor Ettagale Blauer trace the historic events that preceded the festival and then envelop the reader with photographs of the headliner rock stars that performed during the landmark three-day concert including the Who, Janis Joplin, Grace Slick of Jefferson Airplane, and Santana.

Threading his way back and forth from the stage, through a sea of happy audience members, Jason Lauré photographed the communal life that was an essential part of the phenomenon that was Woodstock. Never intrusive, yet working close-up, he managed to capture these innocent moments in the pond and in the woods with the same compassion and intimacy he brought to his coverage of all the crucial events of the era. After Woodstock, he photographed such legends as Jimi Hendrix, Tina Turner, and Jim Morrison of the Doors.

Woodstock 1969 gives the reader an appreciation of the lasting impact of the festival, showing the way it changed the lives of all who experienced it. It served as the high point of the counterculture that started in earnest in the Summer of Love, and also as a leading influence in the decades that followed. The book concludes with a look at Woodstock’s lasting legacy, from Greenwich Village and the rock scene of the Fillmore East to the establishment of Earth Day and the burgeoning environmental movement.

Jason Lauré moved to San Francisco in the famous “Summer of Love” and started photographing the counterculture. He attended Columbia University and worked at the New York Times before serving in the United States Army in France, where he attended the Sorbonne. He was a finalist for a Nieman Fellowship at Harvard University and was nominated for a Pulitzer Prize for Feature Photography for his work in Bangladesh. His photographs have been auctioned at Sotheby’s and featured at the Hard Rock Cafe and at the Bethel Woods Museum. Jason lives in Cape Town, South Africa and in New York City.

Photojournalist Jason Laure covered the Woodstock Festival from August 15-18, 1969. His awesome photos capture Pete Townsend of The Who and John Sebastian, respectively, performing onstage; an iconic image of the massive traffic tie-up outside the Festival; young people trekking to the event; and festival crowds. Many vintage images of bands performing, including The Who, Sly and the Family Stone, Grace Slick, John Sebastian, Keef Hartley, and The Incredible String Band; also, many candid moments from the Festival: the crowds, young couples, nude bathers, and the festival-goers’ impromptu living quarters. This is true Rock and Roll museum history.