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marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 0609
marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 4189
marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 4996
marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 8915
marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 3638
marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 0403
marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 3226
marc riboud vintage color photograph kadishman sculpture jerusalem museum marc riboud photo 1973 7318
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Home Fine Art Photography Marc Riboud, Vintage Color Photograph Kadishman Sculpture Jerusalem Museum Marc Riboud Photo, 1973
Roller Weight Lion Shishi, China $231.78 Original price was: $231.78.$162.24Current price is: $162.24.
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Fred McDarrah, Vintage Print Silver Gelatin Signed Photo President Richard Nixon Innaugural, 1992 $332.16 Original price was: $332.16.$232.51Current price is: $232.51.

Marc Riboud, Vintage Color Photograph Kadishman Sculpture Jerusalem Museum Marc Riboud Photo, 1973

$224.92 Original price was: $224.92.$157.45Current price is: $157.45.

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SKU: 20595332 Categories: Fine Art, Photography
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Description


This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned.

This is for one Photograph from the portfolio entitled “Jerusalem: City of Mankind,” The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title.

The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York.
15 copied were reserved for participating photographers.
Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision.
Design and production – Arnold Skolnick / Bhupendra Karia.
Color prints by Berkey K & L Custom Services INC, New York.
Black and white prints by Igor Bakht
Werner Braun – Moonrise over the Knesset
Robert Burroughs – At the Western Wall.
Cornell Capa – View from the Israel Museum sculpture garden.
Leonard Freed – Reading from Sephardic Torah scrolls.
Ernst Haas – In the Arab quarter, Old City.
Charles Harbutt – Easter, Holy fire.
Ron Havilio – Wallscape.
Bhupendra Karia – Midday prayers, Al Aqsa grounds.
Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum.
Ted Spiegel – Benedictine nun, Mount of Olives.
Micha Bar-Am – Via Dolorosa on Friday.

Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China.
Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father’s Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948.
He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come.
Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong’s Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child’s play in everyday Paris. In 1979 Riboud left the Magnum agency.
Riboud’s photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d’Art Moderne de la Ville de Paris and the International Center of Photography in New York.
Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998.
One of Riboud’s best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud’s images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element.
An image taken by Riboud on 21 October 1967, entitled “The Ultimate Confrontation: The Flower and the Bayonet,” is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America’s involvement in Vietnam.

Select Exhibitions
1958 Photographs From The Museum Collection (Museum of Modern Art, New York)
1959 30th Anniversary Special Installation – Towards the “New” Museum (Museum of Modern Art)
1960 Photographs for Collectors (Museum of Modern Art, New York)
1963 Marc Riboud (The Art Institute, Chicago)
1964 Edward Steichen Photography Center (Museum of Modern Art, New York)
1966 China (Institute of Contemporary Art, London)
1967 China (The Photographers Gallery, London)
1974 Marc Riboud (The Photographers Gallery, London)
1975 Nord Vietnam (Rote Fabrik, Zurich)
1975 Against the Odds by Marc Riboud (International Center of Photography, NY)[15]
1977 Marc Riboud (Galerie Municipale, Toulouse)
1978 Marc Riboud (Galerie Agathe Gaillard, Paris)
1981 From China & Elsewhere (Gallery Photograph, NY)
1981 China (The Photographers Gallery, London)
1982 China (Galerie Photo, Geneva)
1984 Hommage à Marc Riboud (Centre d’action culturelle and ‘China’ Galerie ACPA, Bordeaux)
1985 Rétrospective (Musée d’Art moderne de la Ville, Paris)
1988 Marc Riboud (International Center of Photography, NY)
1996 China, Travelling Exhibition (Centre National de Photographie, Paris – Barbican, London – International Center of Photography, NY)
2004 Rétrospective (Maison européenne de la Photographie, Paris)
2008 Home On The Road (Howard Greenburg, New York)
2009 L’Instinct de l’instant. 50 Years of Photography (Musée de la Vie romantique, Paris)
2009 China 1954-2004 (Month of Photography Asia, Singapore)
2014 Portraits of the 20th Century (Peter Fetterman Gallery, Santa Monica)
2018 The World of Marc Riboud (Leica Gallery Tokyo, Tokyo)

Dimensions
17ʺW × 0.5ʺD × 14ʺH
Styles
Modern
Frame Type
Unframed
Art Subjects
Cityscape
Period
Late 20th Century
Item Type
Vintage, Antique or Pre-owned
Materials
C Print
Paper
Condition
Good Condition, Unknown, Some Imperfections
Color
Black
Condition Notes

Good.
This has been stored in a box. this has not been framed.

Good.
This has been stored in a box. this has not been framed. less

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